Fangirls Around The Web: September 22, 2014

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Fangirls Around the Web. . . . → Read More: Fangirls Around The Web: September 22, 2014

WYNDE Around The Web: September 20, 2014

Athenas Daughters Cover

A nice review for ATHENA’S DAUGHTERS, which includes a short story from WYNDE. . . . → Read More: WYNDE Around The Web: September 20, 2014

Once Upon A Time Han Shot First

AOG

The first anniversary of Assembly of Geeks marks a stellar episode with Frozen, Once Upon A Time, and Han shooting first! . . . → Read More: Once Upon A Time Han Shot First

Steampunk and the Heroine’s Journey: Part Two

The surprising impact of Steampunk novels on The Heroine’s Journey

A series by Mary Sheridan

PART 2 – STEAMPUNK INFLUENCES: You may not realize that you have been Punk’d

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“There is nothing more deceptive than an obvious fact.”

Sir Arthur Conan Doyle

Author, Sherlock Holmes

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Sir Arthur Conan Doyle was a prolific writer. He wrote sixty Sherlock Holmes stories alone, the first in 1887 and the last in 1927. Since Sir Arthur’s lifetime, his Holmes’ character has been copied, borrowed, rewritten, revisited, and retold in print and on film by countless writers, and each time, the brilliant investigator was reinvented. Today, so many variations exist that it would be necessary to revisit the first Holmes novel, A Study in Scarlet, in order to know the character as Conan Doyle intended him.

During the past decade, Mr. Holmes has frequently been written into Steampunk novels and films. Anyone who only knows the character from these recent versions could mistakenly believe that the original Victorian novels were Steampunk.

The greatest Victorian Science Fiction minds – including Jules Verne, Mary Shelley, H. G. Wells, and Sir Arthur Conan Doyle – are often cited as “Steampunk authors.” Certainly, each penned outstanding stories, but in fact, their Victorian novels seeded the development of contemporary Steampunk. There are those who will argue this distinction, maintaining that Victorian Science Fiction and Steampunk are synonymous, yet history clearly shows that Victorian novels were instead the . . . → Read More: Steampunk and the Heroine’s Journey: Part Two

Assembly of Geeks Returns From Summer Break

AOG

Assembly of Geeks returns from summer break to talk Star Wars Rebels and rumors. . . . → Read More: Assembly of Geeks Returns From Summer Break

Steampunk and the Heroine’s Journey: Part One

The surprising impact of Steampunk novels on The Heroine’s Journey

A series by Mary Sheridan

PART 1 – STEAMPUNK PRIMER: A Definition in So Many Words

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“All that we see or seem is but a dream within a dream.”

Edgar Allan Poe

Author, The Balloon Hoax

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HOW IS ‘STEAMPUNK FICTION’ DEFINED?

Steampunk is an acknowledged subgenre of Science Fiction and Fantasy. All three members of this literary family exist to answer the same question: “What if?” Beyond this commonality, everyone appears to have their own scholarly or intuitive definition of Steampunk fiction, and as a result, discussion and controversy seem to grow along with the genre’s popularity.

In his book, “Steampunk: An Illustrated History”, best-selling author Brian J. Robb presents ideas from a number of knowledgeable sources to show the complexities of reaching consensus. Robb sets out his own requisite that “altered history” is essential to Steampunk storytelling and more enigmatically suggests that “[Steampunk] is history from the minds of men.”

He quotes Stephen Hunt, author of the popular Jackelian Series of Steampunk novels: “For my work it’s always been the hard fusion between fantasy and the society of the Victorians”; and also Editor Lou Anders, who says, “Steampunk is anachronistic science fiction, chiefly but not exclusively concerned with the nineteenth century. There are those who believe that in order to be true Steampunk a work must be set and centered around Victorian England.”

Robb also quotes . . . → Read More: Steampunk and the Heroine’s Journey: Part One

Fangirls of the Day Back in Business

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Submit your favorite fangirl to Her Universe’s Fangirl of the Day. . . . → Read More: Fangirls of the Day Back in Business

Steampunk and the Heroine’s Journey: Introduction

Steampunk Heroines

The surprising impact of Steampunk novels on The Heroine’s Journey

A series by Mary Sheridan

INTRODUCTION

It is the visual images of Steampunk that first grab our attention, but the fantastical nature of its fiction invites us to step into the parlor for tea with the storytellers.

What is Steampunk, you ask?

Magic and illusion intertwined with reality; history bending to imagination. Science abused by impossible theories to create implausible yet ingenious contraptions, and readers willing to suspend all logic, because in the fantasy worlds of Steampunk a popular historical paradigm is in play. Authors and readers feel a sense that what appears improbable might actually be possible.

If you haven’t read Steampunk and are wondering what to expect, the following paragraphs are a mash-up of themes; a contrived sampling of a few sights and sounds not quoted from specific novels but imagined for this Fangirl series as a glimpse at Steampunk’s fictional range. As preposterous as this compilation of complexities may seem, similar individual elements can be found in most Steampunk novels.

Something mysterious, or worse, follows a familiar-looking man into the swirling fog that hangs in the dark and empty streets of old London. A pack of dogs wail in the near distance. Beneath a gaslight, the shadow of a tall figure turns a cloaked arm in his direction. Icy fear raises hairs on flesh that glows orange as the flamethrower approaches. The man with a familiar face does not hear Big Ben ring the midnight hour.

The . . . → Read More: Steampunk and the Heroine’s Journey: Introduction

Fangirls Around the Web: August 24, 2014

Fangirls Around the Web for August 24, 2014. . . . → Read More: Fangirls Around the Web: August 24, 2014

New to (Doctor) Who

A week and two days ago, I knew the following about the television show Doctor Who:

It was a sci-fi program from the BBC that’d been aired in the 1960s and then revived in the early 2000s. The blue police box is called The TARDIS. The Doctor guy time travels, regenerates, and carries a magic wand thing called a Sonic Screwdriver. Usually someone goes with him who is referred to as a Companion (but not like on Firefly). The robot that looks kind of like a cheese grater is called a Dalek.

That was it.

I’d never seen an episode, just gleaned this info from the pop culture ether. A bit over a year ago, I noticed its availability in Netflix’s streaming service and added it to my queue as something I’d maybe give a shot someday when I didn’t feel like watching anything else.

Last August I noticed all the buzz on the internet regarding a new Doctor to be announced. A vocal part of that fandom hoped that the Doctor would be played by a woman this time. I kept an ear of curiosity open for the announcement – and then Peter Capaldi was revealed to be the new actor for the role. (See The Atlantic’s reaction: The Depressing, Disappointing Maleness of Doctor Who‘s New Time Lord.) With no stroke of familiarity or intrigue, I continued right back along my path of “maybe someday I’ll watch an episode.”

About two weeks ago, I finally realized that the Colonel . . . → Read More: New to (Doctor) Who