Hyperspace Theories: The Aimless Tale in The Book of Boba Fett

Hyperspace Theories podcast returns to the realm of Star Wars storytelling with this month’s episode, in which Tricia Barr and B.J. Priester discuss The Book of Boba Fett. In addition to its seven chapter, we also consider insights from the Disney Gallery episode exploring the development and production of the Disney+ series.

We begin with the titular character. The first four episodes of The Book of Boba Fett portray two sets of events in his life: his experiences from his escape from the Sarlaac Pit until his appearance in “The Tragedy” chapter of The Mandalorian season two to reclaim his father’s armor, and his return to Tatooine to establish himself as “daimyo” upon the throne previously occupied by Jabba the Hutt and Bib Fortuna. Each of these storylines contains some interesting ideas for Fett’s character development, but both fail to meet the potential of those ideas. In addition, the series at times relies heavily on homages to famous cinema (like Lawrence of Arabia or The Godfather) and references to previous Star Wars material (including comics, books, and videogames) without challenging or subverting some of the damaging tropes frequently found in those sources, particularly in the thin characterization of the female characters and the fate of the indigenous Tusken tribe that welcomed Fett into its community. Although the finale episode delivers exciting Star Wars action sequences, it ends on a meta-referential note: Fett himself wonders aloud whether he should have been pursuing the objective of becoming daimyo in the first place.

Even more jarring, the fifth and sixth chapters of The Book of Boba Fett barely even include him at all. Instead, the focus on events that we would have expected to appear in season three of The Mandalorian, including Din Djarin’s return to the Armorer’s covert, his acquisition of a new starship to replace the RazorCrest, and his paternal caring for Grogu. Another appearance by Ahsoka Tano delivers unexpected emotion for Din in doing what’s right for Grogu, as well as for the audience with dialogue overtly linking her current role in the galaxy to her past with the Skywalker family. A surprisingly lengthy appearance by Luke reveals more about Grogu, while also testing both Luke and Grogu in their commitment to the Jedi path. Directed by Bryce Dallas Howard and Dave Filoni, respectively, these two episodes offer far stronger Star Wars storytelling than the rest of The Book of Boba Fett.


Hyperspace Theories: The Story of The Mandalorians

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Tricia Barr took her understanding of brand management and marketing, mixed it with a love of genre storytelling, and added a dash of social media flare to create FANgirl Blog, where she discusses Star Wars, fandom, and the intersection of women within Star Wars fandom. She is co-author of Ultimate Star Wars and Star Wars Visual Encyclopedia from DK Publishing, a featured writer for Star Wars Insider magazine with numerous articles on the Hero's Journey. Her FANgirl opinions can be heard on the podcasts Hyperspace Theories and Fangirls Going Rogue. Tricia Barr's novel, Wynde, won the 2014 Independent Publisher Book Award Gold Medal for Best Science Fiction/Fantasy/Horror Ebook. She was also part of Silence in the Library's successful all-female creator science fiction and fantasy anthology Athena's Daughters, which is available now. For excerpts and tales of her adventures in creating a fictional universe, hop over to TriciaBarr.com.