The Democratization of Storytelling

People told stories before they could be written down. They were communicated around campfires and scratched into cavern walls. Languages were born. The invention of paper and roads gave rise to civilization and culture. The people who controlled the civilizations became patrons of storytellers, and thereby the gatekeepers of which stories gained mass exposure. For the previous several decades, publishers and producers have been the patrons and gatekeepers of our contemporary stories.

The rise of the digital age has challenged the status quo. Fans can interact directly with one another on social media. They share their passion for stories they love and learn of new stories they wouldn’t otherwise have known about. Digital entertainment also has exponentially broadened the range of available stories for fans to spend their entertainment dollars on. Fans no longer have to become consumer-patrons of the stories the erstwhile gatekeepers offer to them.

Even more recently, crowdsourcing funding platforms like Kickstarter and Patreon allow anyone to support an intriguing story idea. Now fans can be the direct patrons of projects they want to see come to fruition. Producers didn’t want to take a risk on a Veronica Mars movie; fans got it made. The original writer on The Vampire Diaries L.J. Smith was removed by the franchise; thanks to Kindle Worlds, fans can now read the story’s conclusion as Smith envisioned it.

Everywhere you turn, fans are becoming an important part of the storytelling equation. PBS Digital Studios discusses the power of the fan in its video “The Future of Fandom.” The process of change is only just beginning.


For updates on all things FANgirl follow @FANgirlcantina on Twitter or like FANgirl Zone on Facebook. At times she tries the Tumblr.

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Fangirl

Tricia Barr took her understanding of brand management and marketing, mixed it with a love of genre storytelling, and added a dash of social media flare to create FANgirl Blog, where she discusses Star Wars, fandom, and the intersection of women within Star Wars fandom. She is co-author of Ultimate Star Wars and Star Wars Visual Encyclopedia from DK Publishing, a featured writer for Star Wars Insider magazine with numerous articles on the Hero's Journey. Her FANgirl opinions can be heard on the podcasts Hyperspace Theories and Fangirls Going Rogue.

Tricia Barr's novel, Wynde, won the 2014 Independent Publisher Book Award Gold Medal for Best Science Fiction/Fantasy/Horror Ebook. She was also part of Silence in the Library's successful all-female creator science fiction and fantasy anthology Athena's Daughters, which is available now. For excerpts and tales of her adventures in creating a fictional universe, hop over to TriciaBarr.com.
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Fangirl

Tricia Barr took her understanding of brand management and marketing, mixed it with a love of genre storytelling, and added a dash of social media flare to create FANgirl Blog, where she discusses Star Wars, fandom, and the intersection of women within Star Wars fandom. She is co-author of Ultimate Star Wars and Star Wars Visual Encyclopedia from DK Publishing, a featured writer for Star Wars Insider magazine with numerous articles on the Hero's Journey. Her FANgirl opinions can be heard on the podcasts Hyperspace Theories and Fangirls Going Rogue. Tricia Barr's novel, Wynde, won the 2014 Independent Publisher Book Award Gold Medal for Best Science Fiction/Fantasy/Horror Ebook. She was also part of Silence in the Library's successful all-female creator science fiction and fantasy anthology Athena's Daughters, which is available now. For excerpts and tales of her adventures in creating a fictional universe, hop over to TriciaBarr.com.

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